The End of the World | The Cure
— The Cure (2004)
(Source: unknown-district)
Scatterbrain (As Dead As Leaves.) | Radiohead
— Hail to the Thief (2003)
(Source: liquidnight)
How Soon Is Now? | The Smiths
— Hatful of Hollow (1984)
Always reblog this. I was just playing it on Sophia last night, too.
(Source: nuuro)
Youth and Lust | Cold Cave
— Love Comes Close (2009)
(Source: elliejune)
Exit Music (For a Film) | Radiohead
— OK Computer (1997)
(Source: suicideblonde)
The Light the Dead See by Soulsavers (feat. Dave Gahan of Depeche Mode)
“The songs themselves are widescreen epics somewhere between Johnny Cash’s American Recordings, U2 circa One and Ennio Morricone’s spaghetti-western soundtracks, variably adding acoustic guitar, strings, organ, horns and female backing vocals. There’s tenderness, too, but Gahan’s brooding power is central to possibly his best work since Depeche’s 1990 Violator: magnificent songs about demons and failings, morality and mortality, regret, faith and devotion.” - Dave Simpson of The Guardian. (read review)
So this was released a few days ago. What a phenomenal album.
Ghosts of Utopia | IAMX
— Volatile Times (2011)
For You | HIM
— Greatest Lovesongs Vol. 666 (1997)
(Source: hisinfernalmajesty)
Bay of Skaill | The Magnetic North
— Orkney: Symphony of the Magnetic North (2012)
Can’t get enough of this song.
End of the Line | Sleigh Bells
— Reign of Terror (2012)
(Source: thewarmsound)
The Last Days | I Will Never Be the Same
— Tornadoes (2012)
Nine Inch Nails-esque vocals with instrumentation sounding like something off a Dead Letter Circus record? Check. This track is a killer.
I Might Be Wrong | Radiohead
— Amnesiac (2001)
(Source: liquidnight)
Chelsea Wolfe and Ben Chisholm aka Revelator (formerly known as Whitehorse) collaborated to create the score for friend & fashion photographer Charlene Bagcal’s beautiful fashion film entitled “Solace”, featuring the lovely Breanna Box.
This is lovely.
